Krabat

In Otfried Preußler’s Krabat, adapted for the stage by Nina Achminow, the young Krabat follows an eerie call to the mill in Koselbruch. There, alongside learning the miller’s craft, he encounters black magic and realizes that the Master’s power demands a sacrifice every year. After the death of his friend Tonda, Krabat stands up to the Master; love and friendship become a counterforce to his rule.